Earlier literary schools, such as Renaissance writers and Romanticism, depicted God as an extremely powerful, yet benevolent deity who ensured that the conclusion of most of the events had succeeded in a positive way. After the catastrophic cost of World War I in lives, souls, and property, many authors and poets changed their view of God. Instead of a loving, omnipotent force for good, God transformed into a cruel, supernatural being who chooses to do not intervene when human beings suffer. Many modernists believed that if God had failed to prevent a disaster like World War I, he would have passively watched human beings or even aided them in their ability to destroy their fellow men, women, and children. Authors such as TS Eliot, Ezra Pound, and Ernest Hemingway described God in this way, especially during their periods of expatriation in Europe. Since God gave humans the power to be cruel, God must also have a cruel side to his image. Among these top literary artists, TS Eliot's name tops the list. His work illustrates a clear vision of modernism. Being a spectator of the critical conditions of the twentieth century, its manifestations in poetry and essays confirm a supreme fusion of thoughts towards religion and faith (William). Eliot's other distinction in poetry, The Love Song of J. Alfred Prufrock, has been taken as a lead with appreciation. He mentioned the thesis of simplicity and silence in human nature. Turning to the religious side even in his practical life, Eliot expressed a variety of such themes. In J. Alfred Prufrock's The Love Song, it symbolized the way men try to decipher women's feelings as, after World War I, they went out to work on their new function of earning a living. Women's measurements exhibit the decided......middle of paper......so Rialza. EPub edition. New York: Harper Collins, 2012. 115. eBook.MacDonald, Harold, ed. "Ash Wednesday: Ash Wednesday by TS Eliot." Intuition. Lenten Poems, 2012. Web. 10 April 2012.Moody, Anthony David. TS Eliot's Cambridge Companion. Cambridge, England: Cambridge University Press, 1994. 121. Print.Pound, Ezra. “Ballad for the Darkness.” Bartleby.com. Bartleby. Network. April 6, 2012Pound, Ezra. “The Songs”. Baym, Nina, Wayne Franklin 1492-98. Read, Forrest. "The model of Pisan songs." Sewanee Review 65.3 (1957): 400-19. jam. 12 April 2012. Rodgers, Audrey T. “TS Eliot's “Purgatory”: The Structure of Ash Wednesday.” Studies in Comparative Literature 7.1 (1970): 97-112. JSTOR. April 8, 2012.Videnov, Valentin A. “Human Voices in Silent Seas: A Reading of Eliot's Love Song.” The Explicator 67.2 (2009): 126+. Literary Resource Center. Network. May 1st 2012.