Indeed, it is through editing that a story acquires clarity and uniformity. This also applies to this film. For example, by analyzing the scene in which Joker and Rafterman arrive at the Cowboy platoon's camp, one can understand how editing is used to define the spatial relationships between shots. Spatial montage seeks to introduce the viewer to events that take place in a specific environment. In particular, it is important to note that in just a few minutes numerous cuts and different types of shots follow one another. Furthermore, the 180° axis moves numerous times. The two main conversations present in the scene, first between Joker and Cowboy and then between Joker and Animal, are shot using two shots and the shot/reverse shot system. Also in this scene there are many examples of full shots and medium close-ups. Additionally, when Cowboy introduces the new arrivals to his comrades, Kubrick uses an eye-line shot to introduce the members of the platoon. It is important to note that to engage the public and capture attention the perspective on events, even if slightly, continually changes. As mentioned above, editing also serves to create a dynamic development of events. This is a fundamental aspect of the entire film, in fact the succession of short and different shots recall the chaotic and unjust reality of war. Furthermore, in terms of content this scene