Topic > Human paradoxes and inconsistencies of human behavior in Billy Eliot

In “Billy Elliot” human paradoxes and inconsistencies in behavior emerge when values ​​and identities are questioned, inviting the reader to see the world differently. The young Billy Elliot, coming from a closed and confined community, with its limited expectations, poverty, restrictive gender roles, stifled self-expression and disintegrated community structure, ignites new gender identities by challenging assumptions and presents the world from a different. These paradoxes, anomalies and inconsistencies in behavior are called into question by Billy's defiant actions in an attempt to counter society's stereotypes. With Billy challenging the assumptions of men who do ballet, instinctive human behavior and emotions break the bonds of love; create anger and tension among the family. Billy's long struggle challenging assumptions finally breaks the anomaly and paradox of society; while they are ultimately seen helping Billy pursue his dreams. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The importance of support in difficulties to overcome barriers in life is an integral part of Billy Elliot's life. Over the course of the film we watch Billy and his family members struggle to connect with each other and must find loyalty to each other despite their vast differences. Inconsistencies in human behavior arise when values ​​and identity are questioned, as is evident in the scene where Jackie discovers Billy in dance class, Jackie's masculinity is challenged by forcing his natural instinct of anger and self-hatred himself, towards Billy's abnormal acts on gender roles. The fear of losing the family pedigree and the feeling of mortification in the face of society push Jackie to react aggressively, despite the fact that she loves her son. Furthermore, the director also focuses on the lack of family ties and the struggle to support each other with the continuous aggressive dialogue used towards the grandmother. Furthermore, Dauldry slowly builds a noticeable change in behavior when Billy is dancing to the song "I love to boogie". The cross-cutting between family members like Tony, Jackie, the grandmother slowly emphasizes building family bonds, reunion and mutual support. The composer purposely plays an uplifting, non-diegetic sound to highlight a sense of hope and relief for Billy's future. These transversal and uplifting non-diegetic music techniques emphasize the slow change in Jackie's inconsistent behavior as he realizes Billy's potential. While the beginning of the film paints a portrait of a fractured family, whose members do not support or understand each other, it ultimately becomes a film about the power of love in a family and how, even in times of turmoil, the family can reunite. Billy Elliot's actions challenge his mindset of finding a voice for himself, in a narrow community that does not allow anyone to cross such boundaries of gender roles. Billy challenges oppressive social rules about gender and continues to pursue his passion for dance. This can be summarized in the "angry dance" scene, where Billy's choreography is exaggerated as he dances around the city, reflecting frustration with his restrictions, but paradoxically acts as a form of catharsis. The non-diegetic, upbeat melody overpowers the diegetic sound of Jackie's aggressive screams, symbolizing dance's escape and Billy's potential to overcome rigid gender roles. Throughout this scene he encounters numerous metaphysical barriers (e.g. the brick wall), which,.