Jane Campion's postmodernist framing of John Keats's poetry in her film "Bright Star" gives new understanding and awareness to his work and personal life by Keat. While the Romantic era provided a backdrop to Keats's poetry, Campion reframes the Romantic ideals of the creative mind as the ultimate creative power through modern values ​​to show the love story that takes place between Keats and Fanny. Reflecting the Romantic view of nature as a path to creativity, Campion rejects the perspective that women are femme fatales and instead presents Fanny as someone symbolically equal who enhances Keats's creativity. The narrative's postmodern imagination, reflecting Keats's poetry while simultaneously clashing with 19th-century perspectives on gender and power, demonstrates how textual conversations reshape meaning for new audiences and times. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Campion reframes Keats and Fanny's love through a feminist point of view in a postmodernist society to challenge the idea of ​​Fanny as a romantic stereotype of a "minxtress" instead positions us to see Keats as the object and Fanny as the subject through her perspective. Campion undermines the “tongueless nightingale” of the poem “The Eve of St. Agnes” through the characterization of Mr. Brown captures the male perspective of 19th century women through his ruthless ridiculous tone of Fanny's knowledge of literature However, this view of women clashes with Campion's restructuring of Fanny, as Keats must submit to this further human realm of the creative mind if he is to increase his view of nature, thus presenting. Fanny as an instigator of Keats's creativity rather than the destroyer. Campion uses sewing as a framing device to identify Fanny as a creative mind through the opening scene of needle and thread. Champion investigates the paradoxical nature of sewing as an art form, which had previously remained invisible in history as the role of women was organized in society to be controlled by men and where women were positioned as the "muse". Campion reinvents the romantic figure of the destabilizer through a feminist lens to refine the stereotype of the domestic woman who interferes in the male creative world, clashing with the nineteenth-century view that women are inferior to men, allowing modern audiences with feminist values ​​to personally relate to the man. points of view relevant to their context. Campion's retelling of the love story that takes place between Keats and Fanny shows how ordinary and human it is to fall in love, which is conveyed with Keats's poetic question about the immortality of death seen when the grieving Fanny reads "Bright Star ' when walking in the snow. The idea that emotion and creativity are the gateway to immortality is seen in the poem "When I Have Fears" where Keats's unease at an early death mirrors the idea that he will not see. never his "beautiful creature" and therefore will never experience his creativity reflected back to him through "unreflected love". Keats characterizes the qualities of love as something mystical by contrasting it with "fairy power" as something mysterious and beautiful. while remaining a dream or an illusion. Thus, he is alone, dissatisfied, in an existence between rational thoughts or an ironic movement in which he rejects it. However, while he desires immortality, he does not desire to exist without anyone else. He instead desires to be “awake forever” and “lying on the ripe breast of my beautiful love.” Unfortunately, these..