The world presented in Much Ado About Nothing is populated mainly by noble characters: the Prince of Aragon, Lord Claudio, Lord Benedetto, the governor of Messina and his daughter and Grandchild. These characters embody courtly ideas of social grace and wit, qualities that drive the comic nature of the play. The Bedford Companion to Shakespeare, by Russ MacDonald, notes other qualities that drive the play, stating: "The characters act on their intuition that the world is good, that life is worth living, that the conflict will eventually find a positive resolution (153) Don John, devoid of grace and wit, is the antithesis of these ideas, he sees the world as horrible, life as depressing, and hopes he can create conflict to ensure a negative resolution although he is the catalyst that creates chaos. necessary from which harmony is ultimately created, its nature is so mischievous that it threatens to transcend this role as a catalyst and completely destroy the play's comedy. Say no to plagiarism should violent video games not be banned"? Get original essay Don Giovanni makes his first appearance as his band of men, recently victorious in war, have just made their celebratory arrival at Leonato's residence. He wastes no time in obscuring the work's bright, jovial atmosphere. After the exchange of humorous pleasantries between Leonato and Don Pedro and the witty banter between Benedick and Beatrice, his first words are a cold, unadorned response to Leonato's generosity: "I thank you, I am not of many words, but I thank you." (1.1.157-58) This abrupt change in mood interrupts the pleasant momentum of the conversation, leading to the departure of everyone except Benedick and Claudio. This cold nature, completely inharmonious with the courteous behavior of the other main characters, is easily noticeable. With humor that fails to mask her dislike of Don John's personality, Beatrice comments, "I never get to see him but it burns my heart an hour later." (2.1.3-4) His disposition is one of the only things Don John is honest about. Speaking of his brother, Don Pedro, on whom he depends, he becomes angry: "I would rather be a cancer in a hedge than a rose in his grace, and it suits my blood better to be despised by all than to fashion a carriage to steal love to someone: in this, although it cannot be said that I am an honest and flattering man, it must not be denied that I am an outspoken villain, I have been entrusted with the muzzle and given the right to vote I have decreed not to sing in my cage. If I had a mouth, I would bite; if I had freedom, I would do what I wanted: in the meantime, leave me as I am and try not to get upset." (1.3.27-37)Don Giovanni refuses to abide by social mores, the same customs that will forever prevent him from becoming a fully respected member of society due to his bastard birth. Therefore, he rejects his friend Conrade's suggestion that he attempt to act more cheerfully around Don Pedro to maintain his brother's favor. Rather than pretend to be someone he is not in order to receive love, he instead chooses to act natural and be disliked by everyone. He makes this choice knowing what it means to be unpleasant, comparing his existence to that of a dog so distrusted and limited that he is muzzled and chained to a "hoof", or a heavy block. As long as his life is like this, he will not put on a show for others or, as he puts it, "sing in my cage." Don John's behavior at the beginning of the show, although distracting from the merriment of others, is simply antisocial. But his admission of being a "straight-up villain" is quickly confirmed after the arrival of.