In a general sense, culture is defined as the arts and other manifestations of human intellectual achievement considered collectively. In short, people around the world are educated or influenced by people who live in the culture and environment around them, and educate themselves with cultures from different conditions. Significantly, there are two other types of societies: high-context societies are those that communicate in certain ways and are intensely dependent on language; Interestingly, low-context societies depend on unambiguous verbal correspondence. High-context societies are collectivist, value relational connections, and have individuals who make stable, welcoming connections. It is interesting how the anthropologist defines civilizations in only two contexts. However, people gain experiences in different ways even if they are in the same country, education level and similar family background. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay More importantly, technologies such as aerospace engineering and computer science are developing rapidly in the twenty-first century, in order to gather from long distance and get closer and closer which help people to learn and spread their ideology from own culture or foreign culture. For greater understanding, people adopt traditional ideologies or values ​​as expectations when traveling and often argue with people about what is right or wrong due to their cultural background. The crucial question is: is cultural appropriation a real thing? The short answer is yes. Cultural appropriation plays an important role in diagnosing, identifying and understanding the "unknown", so the continuous discovery of the "unknown" can greatly help people determine the "unknown" without a long process. It is very likely that landscape painting is a great candidate for explaining cultural appropriation. WJT Mitchell, the Gaylord Donnelley Distinguished Service Professor of English and Art History at the University of Chicago, the author of "Imperial Landscape" from the book Landscape of Power, credits Kenneth Clark's concept with strengthening his idea , says that ""the appreciation of natural beauty and landscape painting is..."' "a historically unique phenomenon Both writers elide the distinction between vision and painting, perception and representation – Bermingham treating painting as "expression" of a. “visualization”…” Mitchell gives us a simpler answer on what the definition of landscape is and clarifies that landscape painting satisfies the imagination not only for the creators, but also for the people who look at their creations. Mitchell argues furthermore that landscape aspects do not share the same value when comparing from country to country According to his thoughts in "Imperial Landscape", he states that "It is the geographical statement that landscape is an art uniquely of Europe. Western painting falls apart when faced with the overwhelming richness, complexity and antiquity of Chinese landscape painting. Chinese tradition has a double importance in this context." The ideology mentioned above shows a clear relationship that although we generalize something into the same categories, sometimes the true value may differ in different civilizations. Louise A. Hitchcock, author of “Naturalizing the Cultural: Architectonized Landscape as Ideology in Minoan Crete,” the curriculum of the British School of Athens deploys a range of materials beyond the discovery reports that arethe concentration of the additional volumes. They mainly include meeting reports led by the BSA or Festschriften for BSA individuals, both of which include a wide variety of content, from the Mesolithic period to the Medieval period. Furthermore, two volumes show legitimate documents on pottery production at Knossos on Crete in the Bronze Age and in the Greek and Roman periods. During the introduction, he states that "...these characteristics embody a landscape appropriated and reproduced within a refined and artificial environment promoted by one or more central authorities." That said, cultural values ​​remain diverse and may not project the same aspects due to cultural appropriation. Albert Bierstadt, an American painter best known for his sumptuous, sweeping landscapes of the American West, creating Puget Sound on the Pacific coast - an oil on canvas in 1870, for his prolific career as a member of surveyors and parties on expansion voyages westward on purpose. He portrayed various exemplary panoramas. Such as the Rocky Mountains, Oregon Trail, Yosemite and other virgin scenes and scenes of Native Americans and wild creatures. It was funny when I first saw that landscape painting at the Seattle Art Museum because Puget Sound never comes up with a wave that big. In fact, Bierstadt never visited the Puget Sound in his entire life, all the creatures and people shown in the painting are from his combination and imagination. In my opinion, the wave described in the painting refers to the characteristic of tenacity and calls on Americans to move westward. To get back to the point, he put all Western thought into his creation, for him it seems perfect. It is important that the ideology of changing the definition of "nature" is perfect for some purpose, but representing "nature" in affected form is against what the general idea of ​​"nature". Of course in no country is there a fully developed language in which people cannot project the exact expression between conversations or even use word systems, because cultural appropriation takes a critical part of perception in determining things or saturations is unusual for people through their everyday life, even occluded by their cultural traditions and values. Rebecca Solnit, an American writer, editor of Harper's Magazine, in A Field Guide to Getting Lost, "Open Door" is the first chapter of the book, quotes Edgar Allan Poe who said, "All experience, in the matter of philosophical discovery, teaches us that, in such discovery, it is the unexpected that we must rely on to a large extent.” According to Solnit and Poe, both agree that reading someone as a lesson could speed up the process of understanding the “unknown.” although the understanding opinion may remain different when two people face similar situations. In other words, they could have distinct results, not only landscape painting, music is another genre that always contains cultural appropriation, above all in Jazz. writing and African-American culture. culture. Between 1967 and 1976, the journal appeared under the title Negro American Literature Forum, and for the next fifteen years it was titled Black American Literature Forum. In 1992, African American Review changed its name for a third time and expanded its primary focus to incorporate the investigation of a broader set of social developments. Sun Ra, an American jazz composer, bandleader, pianist and.