In Henrik Ibsen's play A Doll's House, Christian Linden (or Linde) must give up his life to provide for his mother and younger siblings, and finds once he regained his freedom as a widower. However, Mrs. Linden is unhappy not having a family to work for and struggles as the only character in the play driven by morality instead of social normalities. His example, although accompanied by conflict, plays into the idea that obeying social rules will lead to an unfulfilling life. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay Every character in Henrik Ibsen's play A Doll's House is greatly influenced and influenced by society, one of the main ones is Christina Linden, because she has to fulfill her duties and hastily marry a man for his money instead of being with someone who loves sincerely. Mrs. Linden's life changed rapidly after her father's death, and she had to take control of her home and provide for her needy family, and this opportunity opened up an unusual position for Christina because women never have power in their houses. Unfortunately, Mrs. Linden is now a widow and must work for her own wages, but has no one to share her earnings with. In a “catch-up” conversation with Nora, Christina openly admitted that Nora lives a comfortable life and must be happy “to have what [she] needs” (Ibsen 13) because Christina has had nowhere to call home or any children to care for from his previous marriage. Although Christina appreciates the independence she has found after her husband's death, she cannot help but long for someone "to live for" (Ibsen 16) and to share a life with, because she has these natural instincts to raise people both as a wife and as a mother. Christina struggles between the idea of ​​being independent and in complete control of herself, or opening herself up to the possibility of giving up some of that newfound freedom to be happy in a marriage like Nora. As a widow, Christina is perceived as meek and helpless, so employers often offer her work out of pity. Society doesn't necessarily throw away widowed women, but it looks down on them, so if Christina accepted society's rules, she would be unhappy. Marriage is a way to trap and prohibit women from exercising any kind of power, so whatever path Christina chooses, she will ultimately have to sacrifice an enjoyable part of her life. Furthermore, Christina's tendency to guide her actions based on moral values ​​instead of moral values. Instinctive desires or social norms are a conflict in A Doll's House by Henrik Ibsen, because Christina must influence those around her so that they can understand her decisions. Christina is willing to be submissive, because she finds “no happiness in working for oneself” (Ibsen 90) and being alone is not ideal for a woman who takes care of herself. Being driven primarily by her Superego, Christina bases her decisions on her interpretation of morality and does not consider social norms, so she finds no problem in a woman having control over herself, because she can see the past gender and consider all the human beings as equals. This type of ideology conflicts with society's perception of gender, because women are destined to be subservient to a man until every male in their lives is dead. Christina pleads with Krogstad, claiming that she needs "someone to take care of... and [her] children need a mother".