The poem "Mending Wall" by the famous American poet Robert Frost has often been seen as one of his favorite verses. The basic context of this poem concerns the construction of a stone wall between two neighbors and their individual homes, but with a closer examination of the meaning behind "Mending Wall", one can find several scenarios centering on "a special paradigm concerning the boundaries between reality and subjective point of view" (Montiero 134) which can reflect the personal history of the poet, due to his love for nature and his desire to share his inner poetic beauty with the world. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original EssayOf all the poems written by Frost, "Mending Wall" best illustrates his poetic manner and intentions as a storyteller. “Mending Wall,” among other things, seems to be built around the mischievous tone that creates an oral barrier between neighbors. Yet this evil is defensively countered by the weaker neighbor, as he "looks to the past for support and brings up his father's proverb: 'Good fences make good neighbors'" (Kearns 176). The two neighbors in "Mending Wall" seem to worry nothing more than the territory, but in reality the argument is of a much more philosophical nature, that is, the wall acts as a border between divergent visions of life, such as clashes based on conservatism vs. liberalism, urbanism vs. agrarianism and opposing religion dogma to secular humanism The context of “Mending Wall” suggests that one neighbor is dominant over the other, as shown in the line “I let my neighbor know over a hill,” which illustrates that “the passive neighbor has been informed that he is. like a servant in some medieval society" (Van Egmond 56). Another symbol that suggests a form of non-domination by the neighbor is the way it is applied "over a hill", "a sign of distance that predicts a lack of communication" (Montiero 174). However, as is the case with many of Frost's poems, "Mending Wall" can also be seen as the antithesis of political allegory, given that the narrator is not an open-minded liberal and that the neighbor is not a secondary submissive. As Frank Lentricchia points out, “Mending Wall” “has nothing to do with one-world political ideals…good or bad neighbor politics” (251). Thus, this poem distinguishes between two very different types of people: one who sees mending as an escape from the rituals of everyday life and a source of imaginative exploration, and another who is trapped by the traditions of his ancestors and the old society of the New England. structures. Several key lines in "Mending Wall" help illuminate the narrator's true character regarding his opinions of his neighbor. “I see him there/Carrying a stone gripped firmly by the top/In each hand, like an old savage armed with a stone,” an indication that “the dominant neighbor wishes to be permanently separated from his secondary self” (Kearns 217), yet it also presents the idea of ​​primitivism as in the separation of Cro Magnon man from his Neanderthal "neighbor", the bushy-browed savage of ancient Europe who preferred the wilderness of the forest to the domestic life of a sheltered society. the narrator says that his neighbor "moves in the darkness as it seems to me / Not only in the woods and the shade of the trees", which suggests that the poet no longer sees any plausible reason to repair the "Repair Wall" year after year and now has retrograde in the psychology of human darkness. As Van Egmond eloquently puts it, this is evidence that "even on New England farms in the twentieth century, the customs of the savage (the 'old stone armed savage'),., 1991.